"Our intent with the redesign of the 800 Series is to bring the highest quality sound to the forefront and make everything in the guitar's design work to serve that goal," notes Taylor cofounder and namesake Bob Taylor. "Andy's got an incredible knack for knowing exactly what to change to bring out a certain tonal nuance. He's like the guitar-making equivalent of a brilliant mathematician."
To celebrate four decades of designing and building acoustic instruments, Bob Taylor and master luthier Andy Powers decided to "go back to the drawing board" on Taylors's flagship guitar series, the iconic rosewood/spruce 800 Series, which Taylor Guitars reintroduced at the 2014 Winter NAMM
Show. The 800 series will be on show at Musikmesse Frankfurt
, Hall 3.1. The series is also nominated for a Musikmesse International Press Award (MIPA)
Powers' first full-fledged, from-the-ground-up design project as part of the Taylor team was the Grand Orchestra, which was released a year ago to replace the Jumbo and earned immediate accolades from players, dealers and guitar reviewers. This time around, Andy and Bob have put nearly every material component of Taylor's 800 Series instruments under the microscope in a quest to create a more inspiring, musical playing experience.
The new 800 Series line comprises of the Grand Concert (812ce and 812ce-12-Fret), Grand Auditorium (814ce), Grand Symphony (816ce), Dreadnought (810e) and Grand Orchestra (818e).
Drawing extensively from the same ideas that informed Powers' bracing scheme for Taylor's Grand Orchestra body shape, each of the new 800 Series models features a unique new bracing design to bring out greater warmth, midrange, balance and sustain. A subtle refinement that was coupled with the new bracing schemes is the use of protein glues, long associated with centuries of musical instruments before the development of man-made woodworking glues in the 20th century. With the new braces providing an energy transmission network for the top and back of the guitars, these instrument-friendly protein adhesives facilitate their movement in a different way, enhancing clarity and volume.
Because of the tonal benefits associated with thinner finishes, Taylor used its cutting-edge manufacturing expertise to reduce the thickness of its polyester gloss, ultraviolet light-cured finish to an average of 3.5 mils or less-nearly half the thickness of its standard gloss finish-while still preserving a beautiful luster. This difficult-to-achieve reduction has helped make the guitars louder and more responsive.
Another subtle recalibration is in the top and back thickness specification for each model. Optimized dimensions help bring out the best of each body shape.
Powers worked in tandem with engineers at Elixir Strings to create a new string set package known as HD Light, featuring customized string gauges. This set brings a bolder, stronger high end and fuller, warmer low end specifically to the Grand Concert 812(ce) and Grand Auditorium 814(ce) instruments. Furthermore, Taylor has now switched the rest of the 800 Series line, as well as all of its other steel-string models, from 80/20 Bronze to Elixir Acoustic Phosphor Bronze Strings with Nanoweb Coating for more high-end sparkle and overall warmth.
Beyond the acoustic voicing enhancements, the new 800 Series acoustic-electric models feature Taylor's new Expression System 2 (ES2), which incorporates three uniquely positioned and individually calibrated pickup sensors. These are installed behind the saddle, through the bridge, and effectively capture more of each guitar's dynamic properties and acoustic energy.
The new 800 Series models boast a handsomely updated look via a refreshed appointment package featuring new binding and purfling, fretboard inlays, rosette and backstrip, along with a rosewood pickguard and marbled ebony fretboards.
Andy Powers points out that the ability to implement such a sweeping array of design improvements is a testament to Taylor's manufacturing sophistication. "These are refinements that a luthier normally would only be able to bring to the highest quality concert guitar - a guitar built by one person with skilled hands from start to finish, because that one person would need utmost control over every aspect of the instrument," he says. "But the consistency of our manufacturing allows us to do this on a much broader scale."